Slow Music, as with all things scientifically unquantifiable or
mathematically unprovable, is subjective, relative and open to
interpretation. Do an online search for "slow music" and you will get
several suggestions - from literal interpretations referring to musical
tempo, slow music as a community enabling form of live entertainment or
as an antidote to modern music commercialisation and consumption. We
concur with all of those opinions but would like to offer some further
thoughts on what slow music is and could possibly be.
Slow Music
has much in common with other slow movements and fully supports and
advocates a cultural shift towards slowing down life's pace &
connecting more meaningfully with others, our surroundings and
ourselves. We would like to think slow music makes people reflect on
modern living, not shy away from addressing many of the pressing issues
of our times and encourages people to come together and make a positive
difference.
Admittedly slow music here at The Slow Music Movement
largely means a drop in tempo. In this modern world of over stimulation
and unrelenting information bombardment we enjoy the mentally soothing
sounds and textures of ambient and more relaxed music. Their assistance
in helping us to switch off from the stresses of modern living, ability
to aid reflection and the sonic joy they provide make them a powerful
force.
Maybe it is just part of the ageing process, the knowledge
of self and place gained by experience, awareness of the perils of
continual growth in a finite world or just largely abandoning those late
night parties but we feel less in need of propulsive music these days.
Saying that we still like to dance when the stars align and movement to
music is a wonderful, liberating, exhilarating experience so there are
times we need something a bit faster to throw some shapes to. It
certainly won't be pounding techno, commercial EDM or death metal though
and we find that dancing to slower music is often a more sensual and
communal experience and we highly recommend dancing with each other
rather than standing in rows staring at the DJ whilst filming a non
experience for the purpose of an enviable status update.
Any form
of community building, especially in an autonomous space, even if it a
temporary, fleeting one as happens in dance clubs or concerts with
people uniting through communal listening, movement and it's associated
joy can only be a good thing and is often a welcome and necessary
release from the grind of daily life. We also believe events like this
can assist in altering perceptions, encouraging creativity and
highlighting the power of collective behaviour - a key component in
making the world a better place. So fight for your right to party and
don't forget to move those hips to a slower groove.
Slow music is
also by our definition not, commercial music. Most commercial music
comes from three very large, multi-national companies and as with most
big business their overriding concern is to make money. We prefer
artists and labels whose first purpose is to make music and who then
hope to monetise this art to support themselves and facilitate further
musical creations. We want music coming from the heart and done for the
love not driven by finance and bonus chasing executives.
Commercial
music has to be popular to succeed in it's money making ambitions and
we're not adverse to pop music as such. It is a rare talent to be able
to write something that appeals to millions of people and as much as we
can appreciate good pop music our heart and ears belong to the musical
underground. That is where the real art is, a place where musicians and
producers can let their minds run free, say what they feel, experiment
and create without restriction. Saying that the major labels do also
control some great, creative sub labels with a focus on interesting sub
genres and also have some of the world's best musicians on their books
so we do keep half an eye on what they do and support good music where
we find it but slow music, on the whole, lies in the world of
independent artists and labels.
Slow music is also about the
consumption of music. The world's literature, every film and tv show
ever made are available at the click of a few buttons or keys and now
there are tens of millions of songs to listen to on your favourite
streaming service. It is an impossible amount of music to comprehend let
alone even start to listen to despite the promise and excitement of
endless possibilities. A tub of chocolate chip is manageable, a free
pass in an ice cream factory an altogether proposition.
Here at
The Slow Music Movement we encourage a less is more mantra and offer an
escape from the tyranny of choice. We believe that listening to a small
amount of music intently is more rewarding than flipping through an
endless stream of new releases. That is why we adopt a slow approach to
slow music recommendations. We propose one release a day to our
community and resist the temptation to measure our success by hits,
clicks, likes and reposts. Rather than blindly post press releases we
keep the recommendations personal, heart felt and to a minimum.
Hopefully you trust our judgement, although as music is so subjective,
we don't expect you to agree with everything we say. To this end we keep
our descriptions to a minimum because the real test is your brain's
reactions when those sound waves float into your ear drums. Why read
about something that is created to be listened to? Don't believe the
hype - trust your own ears.
Slow music is also about active
listening. Music is becoming a passive experience as it is increasingly
consumed whilst multi-tasking, often staring at a screen, whilst
commuting, checking photos, working, exercising, idly messaging friends
or sometimes all of those things at once. Rarely is our attention just
on the music. Ideally music should be listened to in a dark room with
eyes closed so the full focus is on that musical creation. When was the
last time you did that, if ever? Try it. Even if you have listened to
that track or LP several times the chances are you will be hearing that
music in a new light now it has your full attention. We know time is
precious though and that the tedium of jogging and road trips are
alleviated by a fine music selection but once in a while just close your
eyes and take a moment to listen to something properly. Just make sure
the hand brake is on.
Slow music is not about format for us here
at The Slow Music Movement although there seems to be an assumption that
a return to vinyl or cassette should be part of the slow music world.
Despite living through the vinyl & CD years before embracing the
digital revolution it has always been about the music not the format.
Don't believe the hype that vinyl sounds better. For sure it sounds
better than a low resolution MP3 but it has limited dynamic range
compared to CD or high resolution digital. It has a different sound not a
better sound. Just do a blind test on a serious hi-fi system and you
will unquestionably hear the difference.
There is also a good
argument that digital formats are more environmentally friendly than
vinyl and cassette. For instance just imagine the natural resources that
go into the production of a piece of vinyl and then the energy to ship
that vinyl from the pressing plant to the distributor, from there to the
global retail network and then finally to people's home. Then think
about the energy used to rotate a heavy vinyl platter and convert that
vinyl into sound waves. I don't know the exact figures but I'm guessing
it is a lot more than downloading a high resolution digital file once
and then playing it on demand or even streaming the same music multiple
times from your streaming provider.
We plan to do an article on
the energy consumption of the various formats when we can find someone
technical enough to do the research project justice but as slow music is
also intrinsically linked to the other slow movements then our present
guess is that, just on environmental grounds, digital music (that
excludes non recyclable CDs) is more "slow music" than vinyl. Embracing
slow living & slow music does not always mean going back in time.
We
also appreciate that selling merchandise and physical product,
especially at live shows, is an important extra revenue stream for many
live acts struggling in difficult times for artists but until we
complete a well researched paper on the environmental impact of physical
music and how those effects can be made carbon neutral I would suggest
that you plant a few trees every time you produce, sell or buy a record
or tape. In fact when you buy or produce anything!
Slow music is
many things to many people and we're not about to start dictating what
it is or isn't although we're happy to get the conversation started.
Above are a few suggestions and thoughts and we will come back and
update them in the future as our thinking develops, as thinking always
should. Take from them what you want and if you have any suggestions
then don't hesitate to get in touch, we're open to suggestions or even
changing our minds if we hear some well reasoned arguments.
Don't forget our daily social media recommendations. No information overload, one recommendation a day, only the good stuff.
www.theslowmusicmovement.org
www.twitter.com/slowmusicmovmnt
www.instagram.com/theslowmusicmovement
www.facebook.com/theslowmusicmovement
www.slowmusicmovement.blogspot.de
www.theslowmusicmovement.tumblr.com/
www.pinterest.com/slowmusic
www.soundcloud.com/the-slow-music-movement
www.bandcamp.com/theslowmusicmovement
Showing posts with label Balearic. Show all posts
Showing posts with label Balearic. Show all posts
Monday, 8 January 2018
What is Slow Music?
Labels:
Ambient,
Balearic,
Chill Out,
dancing to a slower groove,
Downtempo,
drone,
Dub,
electronica,
hazy moments,
lazy days,
Lounge,
Slow Music,
soul,
The Slow Music Movement,
What is slow music?
Monday, 22 May 2017
Summer Daze #1 - The Peak Time Mix
Even in the north of Europe summer seems to have arrived so to celebrate here is the first of the Summer Daze mix series and it's our most uptempo musical cocktail so far. Using a good imported soul liqueur we add a Balearic mixer and some hip loosening African bitters, pour it all over crushed electronic ice for that Berlin cool, garnish with some lush deep house, seasonal dub berries and pop in an AOR umbrella to finish off this warm weather cocktail. Best served on a well located terrace with a sunset view and room to move your hips as you get lower down the glass.
Ramon Pyrme - Vacance Union (Heavenly Sweetness)
Dazion - Dancing In The Future (Music From Memory)
Mark Barrott - Saviours or Savages (International Feel)
Cuisine Dub - Fjaka (Udacha)
Conga Radio - Naturalmente (Self Release)
Paul Weller - One Tear, Instrumental (Parlaphone)
Dizzy From Rotation - Why Love Matters (Karaoke Kalk promo)
Esa - A Muto (Dayas Nss)
Focus - Rock Batlanga (Crown Ruler)
Dazion - Be A Man (Music From Memory)
Bosq - Tumbala, Aunti Flo Rmx (Ubiquity)
Lord Echo feat Mara TK - Just Do You (Soundway)
Donnell Pitman & Wings Of Sunshine - Do You Wanna (Star Creature)
Scott Gilmore - Song for Cate (Self Released)
TJ Kong - Music, The Clashing Egos Interpretation (Compost)
Don't forget that the new website beta is up, running and active. Check it out:
www.theslowmusicmovement.org
Labels:
African,
Balearic,
Bosq,
Conga Radio,
Cuisine Dub,
Dazion,
Deep House,
Dizzy From Rotation,
Donnell Pitman,
Esa,
Focus,
Lord Echo,
Mara TK,
Mark Barrott,
Paul Weller,
Ramon Pyrme,
Scott Gilmore,
TJ Kong
Saturday, 23 July 2016
Smith & Mudd - Gorthleck (Claremont 56)
So judging by their release schedule it would appear that Smith and Mudd have been living in an abandoned fisherman's hut in a secret Ibizian cala for the last few years not having released an album since 2009. That is until you realise this is just one alias amongst various pseudonyms that the duo have utilised, either together or separately, to release a steady stream of EPs and albums in that seven year period..
It has to be said that it has been well worth the wait. In those fallow years the duo have honed their craft and the production and song writing has reached a whole new level of maturity. If you know and love Smith and Mudd's previous records then don't worry the vibes have stayed the same, this album will be your new summer soundtrack and DJs at any musically discerning beach bar will be utilising several of the tracks to serenade the sun's decent into the sea over this and many summers to come. Quite how they managed that feat having decamped to humid, chilly old Scotland with a tight team of musical accomplices to record the album is a mystery - perhaps the album is a climatic cry for help?
What has changed with this album is the extra assuredness in the song writing that the duo seem to have developed. R&B, flamenco, kosmiche, folk, ambient, dub, classical & rock are all effortlessly interwoven to soundtrack that difficult transition from the beach towel to the bar stool with a sea view or the sofa to the corner shop for skins, depending on your luck. There really is a new found confidence in their musical expression and a better understanding on how to convey all those moods and moments without the aid of lyrics in this instrumental delight of an album. Where perhaps silence would have previously been filled by effects or slightly cliched synth (wishy) washes now instruments either solo or interlocking are given space to breathe and tell their tale. Not that there isn't a healthy amount of electronic tinkering during the recording just that these days it sounds far more complimentary than compensatory.
So as usual music is much better listened to than read about so get your ears around the album via the player below and see what you think.....
It has to be said that it has been well worth the wait. In those fallow years the duo have honed their craft and the production and song writing has reached a whole new level of maturity. If you know and love Smith and Mudd's previous records then don't worry the vibes have stayed the same, this album will be your new summer soundtrack and DJs at any musically discerning beach bar will be utilising several of the tracks to serenade the sun's decent into the sea over this and many summers to come. Quite how they managed that feat having decamped to humid, chilly old Scotland with a tight team of musical accomplices to record the album is a mystery - perhaps the album is a climatic cry for help?
What has changed with this album is the extra assuredness in the song writing that the duo seem to have developed. R&B, flamenco, kosmiche, folk, ambient, dub, classical & rock are all effortlessly interwoven to soundtrack that difficult transition from the beach towel to the bar stool with a sea view or the sofa to the corner shop for skins, depending on your luck. There really is a new found confidence in their musical expression and a better understanding on how to convey all those moods and moments without the aid of lyrics in this instrumental delight of an album. Where perhaps silence would have previously been filled by effects or slightly cliched synth (wishy) washes now instruments either solo or interlocking are given space to breathe and tell their tale. Not that there isn't a healthy amount of electronic tinkering during the recording just that these days it sounds far more complimentary than compensatory.
So as usual music is much better listened to than read about so get your ears around the album via the player below and see what you think.....
Thursday, 30 June 2016
Mark Barrott - Sketches From An Island 2

So this is more of a heads up than a review as we haven't got a promo and the album isn't released until tomorrow. To be honest most of the reviews we intend to do will be short and sweet as we would like to consider ourselves a musical Tinder if you like. We'll throw a load of releases at you that we think are worth checking out and you decide what is good for you and which to swipe left on. So cop a listen to this album sampler of the impending Sketches From An Island 2 to be released tomorrow and carry on reading.
Just as a bit of background Mark is originally from Sheffield but, as lovely as this jewel of South Yorkshire is, has probably wisely ended up in Ibiza via spells in Berlin and Uruguay. A prolific and eclectic music maker of three decades experience Mark has now wound up being one of the modern Balearic flag bearers both with his own increasingly chilled productions and by putting out a multitude of artists and releases on his International Feel record label that largely fit that loosest and most open to interpretation of genre labels.
Sketches from An Island 2 is not going to change that reputation with it's blend of laid back island vibes, sun drenched soul and easy listening bordering on the queso like which have all combined to produce the perfect summer soundtrack not to mention being on of those rare releases that you and your parents will probably both agree on.
If you want to investigate further then here is the prequel album in all it's easily obtainable Bandcamp glory.
Wednesday, 15 June 2016
Chilled album alert: Wolf Müller & Cass - The Sound Of Glades
Chill Out (mini) album of the day is this lazy, dreamy, percussive, positively Balearic - The Sounds Of Glades by Wolf Muller & Cass. Five tracks and thirty nine minutes long this release just drifts and wraps around your head like smoke from a freshly lit cigarette but without the health risks.
A nice versatile production duo they really have come up trumps on this one for the mighty International Feel Recordings. Find out a bit more about Wolf Muller & Cass. by hitting the links and if you don't know International Feel then you are in for a treat.
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